Showing posts with label Wild Wild Midwest SCBWI Conference. Show all posts
Showing posts with label Wild Wild Midwest SCBWI Conference. Show all posts

Friday, September 23, 2016

HOW TO ORGANIZE A MULTI-STATE CONFERENCE by Charlie Barshaw

Our SCBWI-MI Fall Retreat is only two weeks away! Charlie Barshaw looks back on the SCBWI Wild Wild Midwest Conference and gives us a reminder about all of the hard work going on behind-the-scenes by an army of volunteers. Here's Charlie:

Note: These impressions are the writer’s alone. They are based on faulty memories, overheard conversations, and opinions parading as facts. Please ingest with caution.

The first clue that the 2016 Wild Wild Midwest SCBWI Conference was a big deal surfaced Thursday, the day before it officially started. We walked into a large conference room, set up wall-to-wall with tables and chairs.

Twelve well-dressed hotel people sat opposite the twelve SCBWI people, Regional Advisors from Michigan, Indiana, Iowa, Illinois, Wisconsin, Ruth McNally Barshaw, the Illustrator Coordinator. And me, the guy who “technically” was the Audio/Visual expert.

In front of us, placards with our names, water glasses, hotel pens, pads of paper, and a spiral-bound booklet.

Inside that booklet a breakdown of each room of the conference, for every day. Every hotel person seated there would play a part. Every person on the SCBWI side likewise had commitments that played out over the past three years, and the next three days.

SCBWI National pulls off two of these huge spectacles every year: the winter sessions in New York, and the summer sessions in downtown Los Angeles. And they employ people whose only job is to make each conference run smoothly.

Contrast this with the WWMW conference, held for the first time in Spring 2013, and then May of this year. Why three years? Because every person involved is a volunteer, many with real day jobs and families.

Planning began immediately following the successful end of WWMW ‘13. During the 2014 LA conference, I was a fly on the wall as RAs gathered in a hotel room to lay out possible venues. During the 2015 LA conference, they again gathered to finalize faculty selections.

Over the years, RAs dropped out and were replaced by new volunteers, who then inherited WWMW duties. One whole state, comprising two SCBWI regions, dropped out entirely, to be replaced by another state.

Faculty had to be contacted, cajoled for bios, quizzed on food preferences. Schedules had to be drawn up, plane tickets and airport pick-ups arranged, rooms set aside.

There were also almost 500 attendees, some veteran conference-goers, some eager but oh-so-green rookies. Dietary requirements, special requests, unexpected emergencies: all had to be dealt with in the months leading up to, and especially during the three days of the conference.

Projectors and laptops were donated, to offset the huge expense of renting that equipment from the hotel. Many of the pages of the spiral-bound booklet specified, in agonizing detail, the cost of each service.

I witnessed one of the most stunning sights of the whole weekend, entirely behind closed doors. After lunch, there was a brief window where every trace of the meal had to be cleared, tables removed, walls assembled. Every hotel person seated across from us on Thursday, from security, AV, management, food service, worked together to set up the room for the next events.

As incredible a display of teamwork as that was, the work of the Midwest organizers was amazing in its thoroughness and dedication. Special thanks to our own RAs, Leslie Helakoski and Carrie Pearson, who shouldered much of the responsibility as co-chairs.

So, how do you organize a multi-state conference? It’s impossible, but somehow they did it.

Charlie Barshaw has four MG and YA novels-in-progress, three critique groups, two dogs and a gifted, supportive and encouraging wife. Oh, and a miniscule bank account, but a whole vast world of opportunity.















Learn more about the upcoming SCBWI-MI Fall Retreat here, and be sure to thank our hard working volunteers.
http://michigan.scbwi.org/2016/04/19/the-days-and-nights-of-the-roundtable-fall-retreat-october-7-9-2016/

Coming up on the Mitten blog: Hugs and Hurrahs! Send your good news to Patti Richards by Monday, Sept. 26th to be included. Don't be shy; we're inspired by your success!


Friday, May 20, 2016

Wild Wild Midwest Memories

The Wild Wild Midwest SCBWI Conference was held in Naperville, Illinois from April 30 - May 1, 2016. For me, the best part of these conferences is the energy and momentum that continues long after we've all returned home. I'm still hearing stories of connections made and opportunities developing. Stories of generosity and going the extra mile to help others.

Keynotes, Workshops, Roaring 20's Party, Manuscript Contest, Art Show, Art Awards - it was a whirlwind weekend. In the words of our members and in photos shared, here are some highlights.

Jackie Sewell shared her conference notes with her critique group. Here's a glimpse for the rest of us:

One pervading theme of our whole weekend was Story. Story is critical - story is essential - without story it's just words and facts. Story is what compels people and is the catalyst for change.  Lisa Cron spoke very passionately about this. (You can read about her at wiredforstory.com)








From Miranda Paul's workshop (my new author crush) (if you haven't read her yet (I hadn't!) get thee to a library and check her out!!) Clever and Creative NonFiction:

* Your goal is to create a remarkable book - one "worthy of attention." Why should a librarian/child choose your book instead of just googling the subject?

*Play with format (Rhyming verse, free verse, How to, Parody of a classic, Conditional (if - then), Call and response, Metafiction, Cumulative, Degenerative (count down ie 10 Little Robots), Linear, metafiction (talking directly to reader).

*Repetition is fun!

*Play with it - try different styles/tones/formats


From Candace Fleming's workshop (author of many, many books - used Family Romanov in our session, also referenced Papa's Mechanical Fish which I love!) Writing biographies:

*What is your vital idea? Why do you want to tell this story? How is what you want to say different/better than what a dozen others have already said? To be successful it needs to be more than an encyclopedic rendering of facts. It needs to be a story. (see note above)

*Think in terms of scenes - she actually blocks out her research materials into scenes. Each scene includes: a specific time, specific place, and one change.

*Ask: what does the reader need to know to get to the next scene - this is the bridge. The bridge contains only what is necessary to give context for the next scene.

*End Strong, "the purpose of the story is to lead readers to the ending." The ending should reinforce the vital idea; it should resonate with (haunt!) the reader; it should arrive "on time."


Thanks for sharing your notes, Jackie!

Here's a great story from Michigan member, Suzanne Klein:

I have been a member of an online critique group for about twelve years with seven wonderful ladies. We all met face-to-face for the first time at the Wild, Wild Midwest SCBWI Conference. We are from all over the United States (Washington, Oregon, Iowa, Wisconsin, Michigan, and Pennsylvania), and one of our members is currently living in North Korea. It was a truly amazing experience to spend the weekend with this group, whom I now consider close friends.


Suzanne Klein's online critique group meets in person
The speakers and break-out sessions were also outstanding. We heard Lisa Cron speak several times, and her explanation of a “protagonist’s misbelief” really resonated. We talked for several hours that weekend about each of our current projects, discussing misbeliefs and scenes of origin. We have even decided to read Wired for Story by Lisa Cron together. And it wasn’t only Lisa that inspired us; there were many wonderful speakers—too many to name. I think it’s safe to say that we all left Naperville feeling energized and ready to dig deeper into our writing. Thank you to everyone who helped make this conference unforgettable!


Ruth McNally Barshaw, Carrie Pearson, Leslie Helakoski
Tracy Bilen, Lynn Baldwin, Kristin Lenz (me!), Deb Gonzales

Those amazing aviators above are the MI chapter leaders who spent countless hours planning and managing, but still took time out for fun at the Roaring 20's party. I always admire people who go to great lengths to plan costumes; alas, I am not one of them. (But hey, those boas were a lot more work than they look. I was picking purple feathers out of my clothes for days.)


Take a look below at some of the creative costumes - illustrators are the best!

Lori Taylor, wildlife painter
Angie Kidd and Beth Raynor (Picasso!)
Kara Marsee (Millions of Cats!)

Sondra Soderborg

Who's Eeyore? Julia Richardson! 


The wonderful art show overflowed into two rooms, and what a tough decision for the judges to choose the winners. Congrats to Michigan author/illustrator Heidi Sheffield (who also took many of these photos!) for taking second place.


Heidi Sheffield
By now, I think you've all heard about the spontaneous scholarship donation to We Need Diverse Books. (You can read more about it on Publisher's Weekly.) A week later, Heidi Sheffield jumped on board to auction off her award-winning print to raise even more money for the cause. And the donations continued even after the print had been awarded to the highest bidder!

Writers had a contest of their own with various New York editors serving as the judges for picture books, middle grade, young adult, and non-fiction manuscripts. See the winners here.

David Striklen, Charlie Barshaw, Ruth Barshaw, Leslie Helakoski








Here are two of the many volunteers who helped keep things running smoothly all weekend: Charlie Barshaw and David Stricklen. Charlie is merely a blur in the background because he's racing off to the next AV crisis.


Laura Seely, Ann Finkelstein, Nancy Shaw




Melissa Shanker and Georgia Shuler















Smiling faces, so much fun! Thanks again to all of the Regional Advisors and volunteers who contributed their time and energy to create this magical weekend. Keep riding this wave of momentum and create!

Kristin Lenz