Friday, June 4, 2021

Writer Spotlight: Celeste Turner Creates Reading Superheroes

Charlie Barshaw coordinates our quarterly Writer Spotlight feature and interviews writers of SCBWI-MI. In this piece, meet Celeste Turner, who uses her teaching superpower to connect children to books and superheroes.

On Growing Up in Detroit, the Transformative Power of 1st Grade, Comic Books, a Drawing Pad, and Backyard Sitting


What was life like for you growing up?

I was born and raised in Detroit. I had lots of friends growing up that are still in my life today. We would play outside, go to the local library, and spend the weekends walking around the neighborhood. As a kid I would make up stories to tell my friends, family, pets, or anyone that would listen.

Who influenced you to pursue reading, writing and education?

My mother and father encouraged me to read. My father would let me read the newspaper and my mother made sure I knew how to use the local library.  Our home had an encyclopedia set which I enjoyed reading too.

As a kid I started writing to record the stories I would make up and then add new things along the way. It was my alone time.


After getting my bachelor’s degree in business a friend told me Detroit Public Schools was hiring substitute teachers, so I applied. They were looking for elementary people, so I started with the Reading Recovery Program under a mentor teacher. They paid for me to get a teaching certificate and my master’s degree.   

You were a teacher for 25 years. What do you remember about your first year in the classroom?

I remember all the support given to me by seasoned teachers. I had a mentor that showed me a lot. I was taught to be patient, but in control. That was hard because you want children to like you. I remember reading Marva Collins’ Way by Marva Collins. I wanted to be the best teacher possible and she believed all children could learn regardless of the circumstances.  

 Which grades did you teach? What student age is your favorite?

I taught 1st, 2nd, 3rd & 4th graders.  My favorite was the 1st grade because you got to see a real transformation. They come to you knowing letters and some sight words in the beginning of the school year. Then suddenly in the spring you notice them reading picture books independently. The children are connecting the pictures to the text and decoding. It is a privilege to be there when that magic happens for a child.  I always made sure picture books were available in my classroom library for borrowing.

You were a Facilitator for the Meadow Brook Writing Project. What were the goals of that project? What were the successes?

I started with the MBWP through their Invitational Summer Institute, a professional development program for teachers that also write. We developed writing units to implement at schools and produced an anthology, In the Company of Writers. From that I spent several years as a writing facilitator for Youth Summer Writing Camps held at the historic Meadow Brook Hall. I highly recommend MBWP Summer Institute for educators that enjoy writing.

You created the Boys, Books and Superheroes Reading Program. What is it all about?

Two friends and I created Boys, Books & Superheroes in response to a grant offered by My Brother’s Keeper Detroit (MBK).  BB&S program provides 3rd grade African American boys with resources to build sustained reading habits through book club activities.  BB&S combines graphic novels, comics, and action/adventure/sports genre books to give boys a variety of reading choices.  They hold book discussions and make book commercials/trailers.   

For the BB&S book club, it is not all about reading comic books and graphic novels. What are some of the other activities you offer?


In BB&S the boys make their own comic books with the help of an art teacher. They create and draw superheroes & nemesis characters and settings.  Past groups turned their drawings into animation shorts. The boys earn comic books after completing the weekly activities. We give them another set of books at the end to help build an at-home library.

And now you're offering a "Girls, Books and Superheroes" program this Spring. 

The Girls, Books & Superheroes is a new program.  I was doing a girls book club at school last year, then COVID 19 came. Since I had the materials we added the girls book club under the boys umbrella as a prototype.  The girls are enjoying the format, so we may see more for them in the future.  


How did you find SCBWI? Has it been helpful in your writing career?

I found SCBWI 10 years ago when I was looking for resources to understand the children’s book writing industry and joined for a year. Last year I decided to try it again. Since then, I have attended webinars, conferences, and connected with the MI regional groups. The biggest benefit for me has been the critique groups and shop talk activities with local author/illustrators. I am looking forward to attending the MI Spring Conference.

What are the stories you feel compelled to write?

I want to write stories that tell the various everyday experiences children have. I want them to read my books and recognize themselves in the story from school, friendships, family etc. Picture Books should inspire, help children feel brave and occasionally help them imagine a different outcome in life.   

What is your writing process? How do you take a wisp of an idea to a more developed story?

Lately, I have been outlining my stories in a drawing pad that was being wasted. Creating the story shape that comes to mind for the idea I get.  My initial thoughts are usually plot driven and I see the whole story in my head. Then I jot down notes filling in more details about the characters, problem, and solution.  This is used to create my draft and do revisions. I am tinkering with different types of checklist for revision.

What are you working on now?

Currently I am working on a possible picture book series about a 7-year-old boy named Amobi who has moved from Nigeria to the U.S. The stories center around how his family helps him through the experiences at his new school. Amobi’s American Spelling Bee & Amobi’s 100th School Day are the working titles.

I am also doing a program called Storyteller Academy.  It provides courses that help you with the craft of storytelling for children’s books. I have created several new manuscripts since joining.  

What do you most look forward to when the quarantine ends?

I look forward to sitting in the backyards of family and friends this summer.  Filling the space with laughter, chatter, and storytelling.  


Follow Celeste on Instagram and Twitter

If you know a member of Michigan's SCBWI who'd be a great interview, email cjbarshaw523@aol.com and give me their contact information. 

Friday, May 28, 2021

Gratitude, Leadership, and a Call to Action from Isabel Estrada O'Hagin, the 2021 SCBWI Tribute Fund Awardee



This February, our Regional Advisors, Jodi McKay and Carrie Pearson, congratulated me on
being named the recipient of the 2021 SCBWI’s Tribute Fund Award. A complete surprise, I was
honored to receive this recognition and thought there were many others who deserved this
award. Being a volunteer means it’s a team effort and that someone else has been doing the
groundwork (more on this later) and for that I am grateful. Thank you, Michigan friends, for all
your well wishes posted on social media!

It’s been a joy to be a member of SCBWI and to serve as a volunteer. Getting the Equity & Inclusion Team off the ground in 2019 and serving as the Team Leader these past 18 months has been challenging yet rewarding. Some of the projects we worked on include the Members For Members
Scholarship Award, the Books With Barbers book drive, and the E & I Corner blog. Another aspect of my volunteer work has been to re-establish the Kalamazoo Area Shop Talks (KAST) with Melanie Bryce. We have enjoyed engaging our community and supporting our local members. 

Being part of the SCBWI-MI Leadership Team has been a real eye-opener, too. You probably already know this... it’s a group of super people who in their humility hide their masks and capes and the big “V” on their leotards. In all these roles one of my greatest joys is getting to know other people who love kidlit!

According to Carrie and Jodi, the SCBWI Tribute Fund commemorates members of the
children’s book community, their lives, and their work by funding all-expense scholarships to
the SCBWI International Summer and Winter Conferences for the general membership. The
nominations are made by the region and the awardees are determined by our headquarters. I
was fortunate to have been included in a group that includes volunteer extraordinaire, Charlie
Barshaw, who received this award in 2014.

From Charlie...
I began my journey with SCBWI in 2009, years after my wife, Ruth, went to a New York conference with an empty sketchbook and came back inspired to create Ellie McDoodle. Soon after I joined the
SCBWI-MI Advisory Committee (the former Ad Com) and helped to put together conferences. 
In 2011, Leslie Helakoski asked me to promote a program called “Networks Day,” when local
groups of SCBWI members would gather to network and get to know each other. In 2012, I
promoted it as “Your Area’s Got Talent,” and by January of 2013, writer Michelle Bradford
convinced me to work with her to create a monthly group in Lansing called the “Mid-Michigan
Meet Up.” In September of that year, former RA Ann Finkelstein took over to co-host our
meetings. Soon, other regions of the state formed their own “Meet-Ups” which over the years
morphed into “Shop Talks.”

In the intervening years I’ve helped run two conferences at Mackinac Island, and I’ve
interviewed editors, agents, illustrators and more writers, veteran and just-starting out, than
you can shake a pen at for The Mitten Blog. And I’ve met the kinds of generous and talented
people who populate SCBWI-MI. It was an honor to receive the Tribute Fund Award, but the
real honor has been working with the extraordinary creative talent here in Michigan.

Thank you for sharing your journey with us, Charlie. How many times have you heard that folks
in SCBWI-Michigan are a friendly, supportive bunch? Volunteering is a team sport. It is good
work that can leave you feeling satisfied to know you made a difference in supporting the
efforts of other creatives within our organization. Whether you’re an organizer, a presenter, an
educator, a tech-savvy guru, or an all-hands-on-deck volunteer, we all gain when we take the
time to lend a hand and become involved.

Take a minute to think about where your strengths lie and how you can share them with others
to make SCBWI Michigan a better team. Volunteer—find the time—the returns are great.

Will you join our team of volunteers? Let’s do some good work together!


Storyteller Isabel O’Hagin (Ph.D.), writing as Ysabel Estrada, has been a member of SCBWI since 2013. As a pre-published author, she writes stories steeped in Latino culture based in the southwest where she lived most of her life. She has written two middle-grade novels, several picture books and is currently working on a YA novel. In 2018 she was recognized as a runner-up in the SCBWI-MI Novel Mentorship Contest. Her publication credits include teacher education articles, book chapters in early childhood music, and serving as the editor for a state education journal.












SCBWI-MI welcomes new volunteers for ongoing and occasional needs! Read more and find a link to the volunteer form












Coming up on the Mitten Blog this summer:

A Writer Spotlight, Ask the Editor, E&I Corner, and our quarterly Hugs and Hurrahs! We want to trumpet your good news! To be included, please email your writing/illustrating/publishing news to Sarah LoCascio by June 8th.


Friday, May 21, 2021

Congrats to the 2021 Members for Members Scholarship Winners!

 


Last year, the SCBWI-MI E&I Team sponsored our first-ever Members for Members Scholarship Awards to support inclusivity in children's literatureThe scholarship awards a one-year SCBWI membership to a Michigan writer or illustrator. Thanks to generous donations from our members and community we were able to continue the tradition in 2021 by funding four more scholarships! We asked the winners to tell us what they're working on, what they're looking forward to, and how the SCBWI membership will help their author or illustrator journey. Meet the awardees below!


Orezime Uyeh

What I’m Working On…
I am currently working on a teacher’s guide and a coloring/activity book for my children’s picture book, “Girls For Medicine.”
 
What I’m Looking Forward to…
With my SCBWI membership, I look forward to attending various webinars, workshops and conferences. I am excited to interact with other indie authors in my region and get really helpful advice on getting my book(s) out there.
 
How the SCWBI membership will help my author-illustrator journey…
Being a SCBWI member will motivate me to take my writing and illustrations to another level! This membership will allow me to finally explore my interest in creating chapter books and graphic novels for kids. I cannot wait to learn more from other SCBWI members who are experts in these book formats.





Ann Dallman

As for what I'm working on? Well, this past year (and my mother's death) slowed me down a bit. I am almost through with the first draft of my second book about Cady, continuing where Cady and the Bear Necklace left off. It's really weird but I hear her voice when I'm writing so I'm working at her pace, that of a 13-year-old girl. Sometimes I want to keep going but it's as if I hear her say, "Nope, that's enough for today."

I appreciate the scholarship very much as it allows me to continue as a member of SCBWI. I am delighted and thrilled to be a member of this fantastic organization and have even brought in two new members! I have learned so much through their postings and, pre-pandemic, through area meet-ups. It's just an outstanding group.

How does it help me on my writing journey? SCBWI provides almost daily encouragement through its emails, postings and online conferences. I love it!



Amy O’Hanlon

Hello! I'm Amy and I am an author and illustrator passionate about creating introspective and empathetic stories that incorporate my love of fantasy and magical realism as well as my experiences as a mixed race person.  

Thank you SCBWI Michigan for the Members 4 Members scholarship. SCBWI has been an integral part of my journey and I am grateful to be able to continue to learn and grow from this community, especially as the interest and opportunities for graphic novels increase!









PJ Bass

I am working on a children's picture book depicting a week of fun-filled activities between an African American father and his son. I am looking forward to the SCBWI membership to cultivate and further enhance my writing and the outcomes it creates. I am convinced that social interactions between creatives can only be a mutually enriching and beneficial experience. I remain open to learning as a mentor and inspiring new authors.









Congrats again to the awardees! SCBWI and our Michigan chapter offer numerous scholarships throughout the year. Learn more at:

and

While you're on our SCBWI-MI website, explore the calendar on the home page to stay current on upcoming events. You can also find time-limited recordings to previous webinars such as this one from Dave Stricklen: How to Rock Your School Visits.







Thursday, May 13, 2021

Featured Illustrator Alyssa Sidlosky

 




MEET ALYSSA

This questionnaire goes back to a popular parlor game in the early 1900s. Marcel Proust filled it out twice. Some of our questions were altered from the original to gain more insight into the hearts and minds of our illustrators. We hope you enjoy this way of getting to know everybody.

 

 

1. Your present state of mind?

Hopeful

2. What do you do best?

Look for the positive

3. Where would you like to live?

Michigan is home

4. Your favorite color?

Purple

5. Three of your own illustrations:









 

6. Your music?

Country or classical

7. Your biggest achievement?

Parenting 4 kids

8. Your biggest mistake?

Spending too much time on stuff that’s not important

9. Your favorite children's book when you were a child?

Benjy’s Dog House

10. Your main character trait?

Optimistic

11. What do you appreciate most in a friend?

Kindness and laughter

12. What mistakes are you most willing to forgive?

Mistakes that help people learn and grow

13. Your favorite children's book hero?

Nancy Drew

14. What moves you forward?

New inspiration

15. What holds you back?

Procrastination

16. Your dream of happiness?

Living with purpose

17. The painter/illustrator you admire most?

Margaret Bloy Graham

18. What super power would you like to have?

Ability to be in many places at one time

19. Your motto?

Be flexible

20. Your social media?

Instagram alyssajoybooks

Twitter @alyssajoybooks

Saturday, May 8, 2021

Book Birthday Blog with Tracy Bilen

 

 Welcome to SCBWI-MI's Book Birthday Blog!

Where we celebrate new books from Michigan's authors and illustrators.

 

Congratulations to Tracy Bilen on the release of Whisper! 


 
Congratulations on the release of Whisper! What inspired this YA mystery thriller?
Thanks, Lauren! When I was a kid, I used to notice this high-pitched whining noise that the T.V. would make when the volume was turned down. It always drove me crazy, but it never seemed to bother anyone else. I got to thinking, what if that sound wasn’t mechanical, what if that was the sound of a thousand people talking at once…make that a thousand dead people…and they were all trying to talk to the one person that could hear them?
 
Both your most recent release and your previous book, What She Left Behind, have a strong sense of suspense and mystery. They also explore themes of grief and trauma. What is it that draws you to writing about these topics?
I have always loved FBI stories, which explains why I made Jacob’s mom an FBI agent. And I devour books that make you desperately need to figure out how all of the pieces fit together. As for the grief aspect, I lost both my biological father and stepfather unexpectedly when I was relatively young, so I find it easy to tap into those feelings and unresolved issues in my writing.
 
How has marketing and promotion gone for Whisper? Do you have any advice for newly published authors looking to promote?
I had a blast making the book trailer for Whisper with the software on Biteable. I also did a Goodreads giveaway, which helps build your book’s presence on “to-read” shelves and often leads to reviews. I used Xpresso Book Tours to organize a book blast (where bloggers sign up to feature your book on their site on a specific day or week). And I ordered bookmarks just because they’re fun (you can get one, while supplies last, by sending me your address through the contact form on my website or via my Goodreads mail).
 
When it comes to planning out your books, are you more of a pantser or a plotter?
A pantser all the way! Usually the first 50 pages come to me all in a rush and I also know what the last scene will be. Next, I write scenes that I know I want to include. I give them fun titles using the “Heading” designation in Word. That way I can drag them around to where they fit best using the navigation pane that shows up on the left of the screen when you hit “Find”.
 
Who are some authors that you look up to?
  • Julia Walton for Words on Bathroom Walls
  • Kathleen Glasgow for the beautiful prose in Girl in Pieces
  • Harlan Coben for his character Myron Bolitar, basketball (almost) star turned sports agent / detective
  • Susan Vaught for Trigger, about a boy with a devasting injury and no memory of how it happened
  • Karin Slaughter because I adore Will Trent, who is deeply flawed but loves unconditionally
  • Kelley Armstrong for her books about a place where victims and criminals hide from the world in the Canadian wilderness
  • James Patterson for his short chapters and awesome plotting.
  • Jennifer Niven because of the voice in All the Bright Places
  • And of course, Shutta Crum, my former SCBWI Michigan novel mentor, for all that she taught me!
 
What’s next for you? Any fun ideas or projects in the works?
I’m working on a YA romantic thriller about the daughter of an American actress and the son of the president of France.
 
A little bit about the book:
Stop him.
After her friend Samantha is murdered, seventeen-year-old Olivia is the only one who still hears her voice.
Years ago, Jacob closed his eyes. In a park. Playing hide-and-seek. His little brother is still missing. And Jacob’s mom is the FBI agent who couldn’t find him.
Now Jacob has dreams he can’t explain. And draws faces of those about to die.
In a town terrorized by a serial killer, Jacob meets Olivia. Sparks ignite.
Until the voice in Olivia’s head echoes the warning in Jacob’s dream…
You’re next.
 
 

 
A little bit about the author: 
Tracy Bilen is the author of What She Left Behind (Simon Pulse) and Whisper (Mirette). She is a high school French teacher in Michigan where she lives with her husband and children. Tracy studied at the Sorbonne in Paris and taught Spanish at a high school ski academy. She loves biking, traveling, and red velvet cake.
 

 

Friday, May 7, 2021

Interview with Bea Jackson, Mentor for the 2021 Middle Grade – Young Adult Illustration Mentorship



SCBWI-MI is hosting two illustration mentorships this year. Today, we have an interview with MG/YA illustration mentor, Bea Jackson. Last Friday (April 30) we had an interview with the picture book illustration mentor, Dow Phumiruk. 

Bea Jackson loves telling stories through her art, from dynamic and diverse character design, to delightfully fun and energetic children’s book illustrations. She attended the College for Creative Studies and is the Grand Prize Winner of the L. Ron Hubbard’s Illustrator of the Future Award of 2007. She has illustrated several books including the New York Times best seller, Parker Looks Up, which was nominated for an NAACP Image Award for Outstanding Literary Work – Children’s. In addition to her work as a children’s book illustrator, character and concept artist, Brittany’s work has been featured on the covers of books, comics, and in various magazines and articles. 










What do you like best about illustrating?

What I like best about Illustration, is the process of completing a work. It can be challenging, frustrating and exciting, considering all the little things that go into bringing what’s in my mind onto the canvas. Sketching, finding references and inspiration, building a composition, finding the right colors, and just getting lost in the zone is very mentally stimulating for me-- and to see the final product at the end of it all is the cherry on top.  



How do you know when an illustration is both good and done?

I struggle with knowing when an illustration is good and done, especially with personal work. Most personal projects I do as an exercise to learn or put something into practice, so I always feel there is room for improvement, which makes it hard to settle. Though once I feel like I have a strong concept and colors that I can work with, I feel like I’ve hit a breakthrough where I can take the idea to completion. From there, I’m very strategic about how I complete my final render, by choosing different areas of the illustration I want to work on, gradually working through it till each part of it is rendered.


What is the most important thing you’ve learned about illustrating?

As an introvert, I often struggle with my words. I learned that for me, the most important thing about Illustrating is that it is a form of communication. Illustrations can connect with people without words to express a feeling, an idea, and or tell a story.  It can break the ice when it comes to connecting with people, and for me has bridged many gaps when it comes to discussing difficult topics, opening discussions with people that would otherwise be hard to get into. For people like me who struggle with casual conversation, using illustration to communicate has made it easier for me to reach out, connect, and be connected to. 


What is a typical illustrating day like for you?

A typical day of illustrating for me usually involves juggling multiple projects- usually 2 or 3 in one day. On average, I will spend a few hours working on one project before putting it away to work on the next after a break. It is a bit hectic, but by shuffling through it keeps me from overthinking one project, and I always come back to it with fresh eyes the next time I visit it. 

Art by Bea Jackson


What are your favorite art forms, software and media? 

Digital is my favorite art form, purely for its versatility, but I have a love for traditional in all its forms. There is something very beautiful about tactile art. I especially love traditional artwork that is rough, and sketchier. I love seeing the process in an artist’s works, their rough lines, and the character that comes with art that is less polished. 


What will you expect of the mentee?

I expect the mentee to feel free to ask questions, even the more difficult ones that often times artist avoid asking, like how to price your work. I wish to be as informative as I can, sharing the good, the bad and the ugly with the hopes that my experiences may help others, so feel free to ask the often-avoided questions. 

Do you have any advice for applicants?

Use these classes as an opportunity to connect and network with other artists. Much of the work I have found was the result of other artists giving me a hand up or opening the door for me. No matter what level you are, introvert or extrovert, connecting with good people is essential. 




Thank you, Bea, for chatting with us. 

The submission window for both mentorships opens May 17, 2021 at 8:00 am. The submission window closes when we have 30 applicants or June 7, 2021 12:00 midnight – whichever comes first. 

***Everything you need to know about applying for the PB illustration and MG/YA illustration mentorships can be found on the SCBWI-MI Mentorship page

If you missed Deb Pilutti's Zoom presentation on formatting your mentorship submission, go here for a link to the recording: https://michigan.scbwi.org/events/free-webinar-illustration-mentorship-discussion-with-deb-pilutti/ 

For questions, contact SCBWI-MI mentorship coordinator, Ann Finkelstein



Ann Finkelstein is a former scientist who discovered that writing novels is more fun than wrangling test tubes. Aside from coordinating our mentorship program, she helps Charlie Barshaw organize the Lansing Area Shop Talk (LAST).














Coming up on the Mitten Blog:

Picture book inspiration, interviews with scholarship and award winners, Ask the Editor, and a round of Hugs and Hurrahs. But first, it's time for a new Featured Illustrator! Join us next Friday to see our new spring/summer blog banner and read the Featured Illustrator interview.


Friday, April 30, 2021

Interview with Dow Phumiruk, Mentor for the 2021 Picture Book Illustration Mentorship.


SCBWI-MI is hosting two illustration mentorships this year. Today, we have an interview with the picture book illustration mentor, Dow Phumiruk
Next Friday (May 7), we’ll have an interview with MG/YA illustration mentor, Bea Jackson


Dow Phumiruk
is a former pediatrician who has found her passion in creating children's books.  She is currently a co-Regional Advisor for the Rocky Mountain Chapter of SCBWI. She has written and/or illustrated several books. Clients include HarperCollins, Henry Holt/Macmillan, Hachette Book Group, Abrams, Viking, Sleeping Bear Press, and Zonderkidz. She lives in Colorado with her husband of almost three decades, three artistic daughters, and a handful of small pets. She is the recipient of numerous awards including Winner, SCBWI Inaugural Narrative Art Award, 2017, Winner, SCBWI Postcard Contest 2016, 1st place RMC SCBWI calendar image contest 2015, and Winner, SCBWI Emerging Voices Award 2013 for Mela in the Jungle (published as Mela and the Elephant).


What do you like best about illustrating?


My favorite part of illustrating is that I am creating something from nothing. That’s pretty nifty, I’d say! If I am illustrating a story, I enjoy adding the visual dimension to bring it to life. From a vague notion of what a character or scene looks like in my head, I can solidify the feel of the story and then add details to enrich it. It’s usually somewhat of a surprise, really: I don’t always know what the art will look like until I have sketched it out. And then, I can almost hear a character introduce herself to me and say, “Nice to meet you!”

Illustration is also my form of self-expression. As much as it is a career, it is also a means for processing the world and life. This is another favorite part. If something bothers me, drawing often helps. 


Art by Dow Phumiruk

How do you know when an illustration is both good and done?


It’s a process! It isn’t so until I’ve gone through several rounds of polishing the piece. First, it’s a rough sketch. Second, I add color and clean up edges. Third, I add lighting. Fourth, I will revisit the edges and confirm that my composition is ideal. I almost always flip the image to trick my brain into viewing it with “fresh eyes” this way (usually via the “transform --> flip horizontally” tool in Photoshop. If I still need another “new” perspective, I may print it out and look at it on paper. Unfortunately, after working on an image for days or longer, our brains end up biased. We can’t find issues as easily as if we were critiquing a piece that is brand new to us. We have to find workarounds like these.

And then, as with finding typos after sending an email to your boss or other important person, the act of submitting it as final art makes me somehow alert to additional areas to fix – ha ha! 

I think art revisions can just go on and on. Mostly it’s good after many hours invested, including a break in the process to come back with those fresh eyes, and it’s done when the deadline comes round!


What is the most important thing you’ve learned about illustrating?


A big lesson is to not compare your work and careers to that of others who are more successful. Whenever I’ve done this in the past, it has made me feel lesser than. I think it sets us back mentally. Instead, focus on goals for yourself and your individual path to success. For every wildly successful illustrator that you read about or see on social media, there are so many more who are working their way up to their full potential. Of course, you can and should try to celebrate and support other illustrators, but know that you must follow your own path for your own career.





What is a typical illustrating day like for you?


This varies quite a bit, depending on if I have an imminent deadline or not. Here is an average day:

I will wake up, take care of chores like walking the dog and answering emails, open up Photoshop, and start drawing! I take a lunch time break usually and get back to drawing again for the rest of the day. It’s pretty much just that, interspersed with other duties like attending to my youngest daughter or making dinner. Sometimes, if I get behind, I will draw in the evenings and/or ask my husband to pick up some of my around-the-house slack to stay caught up. I am lucky to have that help as I continue to strive for balance in my work. 

I adhere strictly to my self-imposed schedules – such as finishing one spread a week when in the final art phase of an illustration project. This is because I am at the point in my life where I don’t want to (can’t!) pull all-nighters. I love my sleep too much! So my work is always divided up to avoid a pile up when it is close to time to submit. I am almost always early for deadlines (ooh, I feel like I am jinxing myself by typing that), since I often allot time for each interim deadline generously.

Art by Dow Phumiruk

What are your favorite art forms, software and media? 


I work mostly on Photoshop CC, so digital art is my favorite. I started working in illustration later in life, and its flexibility allows me to experiment efficiently with colors and composition to learn quickly! It is by far my most valuable program for getting to final art. Along with Photoshop, I have my stalwart 2011 Intuous Pro 4 pen and tablet for drawing. Another essential for me.

I have an iPad Pro with Apple pencil for doodling when I am not at my desk, but doodling with pencil and paper is still my more frequent go-to. I also own a Mobile Studio Pro Wacom tablet, but I don’t seem to be using it much – I am too used to my desktop set up to get accustomed to the smaller screen and buttons on it. It’s handy for giving presentations onsite to show how I work digitally, but that has not been a big thing since pandemic mode!

Art by Dow Phumiruk


What will you expect of the mentee?


I hope a mentee working with me will be open to suggestions. I am enthusiastic about helping other artists grow, so I think having a mentee who is willing to work hard to improve her art is important. In addition, all artists should know how to present themselves professionally, and that is a nice foundation for success in any career. 


Do you have any advice for applicants?


Keep working on your art, whether or not you receive a mentorship this year. I often refer to the “Ps” of:
Persistence: keep at it, take breaks if needed, but don’t give up too soon 
Patience: the children’s book industry tends to move slowly
Productivity: draw regularly and share if you can on social media (get your work out there!)
Progress: look for ways to improve your skills.

These are each so important to developing your illustration career!


Thank you, Dow, for chatting with us. 

The submission window for both mentorships opens May 17, 2021 at 8:00 am. The submission window closes when we have 30 applicants or June 7, 2021 12:00 midnight – whichever comes first. 

Everything you need to know about applying for either the PB illustration or MG/YA illustration mentorship can be found on the SCBWI-MI Mentorship page

***On May 4, 2021 at 7:00 pm, Deb Pilutti will host a Zoom presentation on formatting your mentorship submission. See the SCBWI-MI Events Calendar for the link. 

For questions, contact SCBWI-MI mentorship coordinator, Ann Finkelstein


Ann Finkelstein is a former scientist who discovered that writing novels is more fun than wrangling test tubes. Aside from coordinating our mentorship program, she helps Charlie Barshaw organize the Lansing Area Shop Talk (LAST).