Showing posts with label Tracy Bilen. Show all posts
Showing posts with label Tracy Bilen. Show all posts

Friday, August 15, 2025

Writer Spotlight: Tracy Bilen

Romance, Paris, pantsing, plotless, DIY trailers and misbegotten book titles: YA author Tracy Bilen

Charlie Barshaw coordinates our regular Writer Spotlight feature and interviews writers of SCBWI-MI. In this piece, meet YA author Tracy Bilen.

Your three young adult novels all have romantic overtones in addition to the suspense. When did you join Greater Detroit Romance Writers (GDRW)? How have you used the GDRW in your three published novels?

I joined GDRW somewhere around 2010 and it’s actually how I found my agent – she was a guest speaker at a meeting and I queried her afterwards.

Back when the group was affiliated with RWA (Romance Writers of America), I entered a lot of their local chapter contests, winning a full manuscript read by a published author, and some awards for my books in progress. (Reputable) contests can be a great way to improve your writing and find the incentive to keep going!


You’re a high school French teacher, and you studied at the Sorbonne in Paris. There’s likely a book there, but give us the Paris pitch. How did the opportunity arise? How did you enjoy Paris and its famous school?

My college had an exchange with the Sorbonne which just happened match perfectly with my long-term dream. I guess my shyness was evident from the forms we had to fill out, because I was assigned to a dorm run by nuns. 

Being the only American in the dorm, I made a lot of French friends and became a little less shy! I loved everything about the experience, except having my purse stolen in a lecture hall at the Sorbonne!

 

 

Whisper, you said, was inspired by the noise your TV made when the volume was turned down. What else in your childhood inspired the thrilling angst that runs through your stories?

Oh, wow. There are little bits of us sprinkled in all of our books, aren’t there? When I was thirteen, I lived in a three-story Victorian house designed by a woman architect, like Olivia does in Whisper

In high school I lived in a house on ten acres in the middle of nowhere near a town with just one blinking light like Sara in What She Left Behind

And my first teaching job was at a boarding school for skiers with Olympic dreams which was the inspiration for Thirty Seconds at a Time.

 

With three published titles, are you still a “pantser all the way”?

For the most part. I mean, I always know the beginning and the end when I get started, and plot points soon start to crop up after that. But I don’t write them in anywhere near chronological order – I love the Headings feature in Word because it lets me write the scene I’m passionate about in the moment and then easily drag scenes around later.

 

You won a mentorship with Shutta Crum through an SCBWI-MI contest. How much effect did Shutta have on What She left Behind?

Shutta’s insight and guidance had an indelible effect on my development as a writer and in transforming my first novel into all it was meant to be. In fact, it was the mentorship contest itself that inspired me, in part, to begin that novel. Whether you win or not, entering the mentorship contest can be transformative. I cannot recommend it enough!

 



While Left Behind is your first published YA, it was your third manuscript. Tell us about the first two.

My first two books were how I learned to write novels. A critique that I received on the first one was brutal but in the kindest way. It turns out the book had no real plot, just some scenes strung together! 

The second book did have a plot and I queried it for a bit. Then I followed the advice that said to begin your next book as soon as you start to query. 

By that book I had learned to use my own emotional journeys to better embody my characters and What She Left Behind was on its way to becoming my debut novel.

 

You have professional-looking book trailers for all of your books; they’re all compelling and make me want to go out and get that book. How did you make the first trailer? Over the course of the three books, how has your trailer-making process changed?

Thank you! I hired someone to make the trailer for my first book, What She Left Behind. But for Whisper, I decided to do it myself using Biteable, a video software website. 

And I loved it so much that I made trailers for a couple of friends and for my most recent book, Thirty Seconds at a Time. It’s really quite easy to do and very intuitive. 

Probably the only process change I’ve made is to be sure to keep the length under a minute, both to accommodate shortened attention spans and to make sure they can be easily posted to social media.

 

“I give myself a daily word count goal and keep track of my progress in a notebook. I usually write late at night.”  How does writing late at night work with teaching high school?

Yeah, the late-night writing doesn’t happen as much anymore. I think the quiet and stillness of writing late at night was what helped me let go of everything that was holding me back from writing (fear, laziness, imposter syndrome, writer’s block). 

Tracy at her college radio station

In world language acquisition we actually have a word that that sums up the feeling quite well: affective filter. The affective filter is what holds you back from trying to speak another language because you’re afraid of making mistakes. Now I can find that late-night peace in the morning (but not too early!!) 

In fact, it doesn’t even need to be quiet. For me this summer (I’m a teacher), one thing has worked really well: meeting friends at a café to write! My husband wonders how I can get anything done with friends around, but the reason it works is that I know that writing is the only thing I’m supposed to be doing there (besides a bit of talking!) 

For a while I thought I’d have to go to a café every morning to make any progress, but once I eased into the process with friends, I found that the same thing happens at home if I come out and sit on the patio at the same time every day. 

Obviously, that’s not going to work in the winter, but if I can just keep up the routine of a daily time and place, I will be able to power through the sometimes crippling fear of not being able to create.

You told Cynthia Leitich Smith, “The bottom line is that if you really want to publish your book and you’re willing to work hard and listen to criticism, it’s not as unattainable as it seems.”  Was that your attitude even before your first book was published, before you had an agent? You went to school in Paris. Did you always have a can-do attitude?

As writers we’re dreamers, aren’t we? We make up stories about how we imagine things could be. I dreamed of studying in Paris since I was in third grade and my aunt put the idea in my head. Shortly after that I started buying French records at garage sales and clandestinely used the record player at home. 

Tracy and Austria in the 90's

That’s how I learned how to say my shoe size so well in French – that was the part where the record would always skip. When French wasn’t offered at my high school, I took Spanish and studied French on my own so I could test into a higher level in college. 

I kept dreaming and did everything I could to tilt the odds in my favor. 

For me, writing goals are the same. Every time I’d send a query out, I’d do a bit of dreaming about what it would be like if it worked out. But I also took that same garage sale approach to make success more likely: I did the Writer’s Digest novel writing classes, sent my work out to be critiqued, entered contests, joined professional organizations and critique groups, pitched a movie, and most importantly, put myself out there and made dear writing friends. 

At first, criticism was hard to take because it messed with all my dreaming. It reminded me that I hadn’t done all I could. And when you get an editorial letter for a book under contract, that imposter syndrome can hit you pretty hard. 

But just know that you can do it. Let your subconscious mull it over and dig back into the same routines you used to write your book in the first place.

 

Watch Your Back and Come With Me were early titles. How much did your opinion matter when it came to naming your books?

Ha! Those of you publishing veterans out there know that as writers we typically have little to no control over our titles or our covers. My first published book started out as Leaving Dad. But a friend thought that meant it was about leaving Dad at a nursing home, so I changed the title to Leaving, because one-word titles were all the rage at the time. 

Tracy's latest YA romantic thriller

With the help of another friend, that turned into Riding Backwards, which is what the title was when it was picked up by my agent. But one editor thought it was a horse book, so that didn’t work either. 

When it finally sold to Simon & Schuster, they decided the title would be Come With Me. I was able to talk them out of it (but obviously not before it sneaked onto the Internet somewhere for you to find!) And then the publishing house finally picked the title What She Left Behind


The German version of the same book, by the way, translates to Like Father Like Death – the Germans definitely like their stories dark!

 

Duolingo? Are you a student? You are already fluent in how many languages? How does your knowledge of other languages help you as your write your YAs in English?

Yes, I do a bit of duolingo as a student – some Catalan for a sister school exchange we do at my school. I speak fluent French and also some Spanish and German. I’m currently working on the translation of Thirty Seconds at a Time into French. Unfortunately, the English version of that book is currently out of print – but I will hopefully find a new home for it in the not-so-distant future!

 

There’s a passage attributed to you on a website called Quote Fancy: “He made my mom call and tell Maureen I wouldn’t be in to see her anymore. He said therapy is a waste of money. He also told her to upgrade the cable service and to order him a subscription to Military History magazine. Then he went and bought a new fishing pole for Matt, who is dead.”

— Tracy Bilen

What’s this all about?

This quote is taken from What She Left Behind. My main character, Sara, is talking about her dad, who is both physically and emotionally abusive. Sara’s been seeing a therapist to help her deal with her brother Matt’s suicide. It’s obvious from her dad’s statement that this is not about money, It’s about power and control, but it’s also about denial. 

Sara’s dad’s way of dealing with Matt’s suicide is to pretend it didn’t happen and that he’s still alive. Sara and her mom are forced to play along with the fantasy to avoid provoking her dad’s anger. But Sara’s dad is a complex character – while his abuse is unforgiveable, Sara and her mom struggle with the memories of the loving person he once was.

 

So, school’s just about out for summer, and that’s when you can write full-time. What’s cooking? (In keeping with the bad kitchen puns) What’s on the back burner?

I’m actually working on a book set in Paris, which I hope to finish this summer!

 

Please share any social media platforms:

Website:

https://tracybilen.com/

Book trailers I made:

https://youtube.com/playlist?list=PLJwBMTArHK432d57q8rN3wonaJL7-Hr2s&si=kY3GhXUtMhJnBuKu

Insta:

https://www.instagram.com/tracybilen/

Facebook page:

https://www.facebook.com/tracybilenbooks

X:

https://x.com/tracybilen

 

 

 

 

Tuesday, October 8, 2024

Book Birthday Blog with Tracy Bilen

 


Welcome to SCBWI-MI's Book Birthday Blog!

Where we celebrate new books from Michigan's authors, illustrators and translators.

 

Congratulations to Tracy Bilen on the release of Thirty Seconds at a Time

 

 

How did you come up with the idea for your book?

I remember reading an article about a murder via car explosion in small-town Michigan and how the victim was involved in something no one expected. I no longer have a car explosion in this book, but I kept the idea of a murder victim being caught up in something no one would have imagined. And then I set it both in Michigan and at a boarding school in Vermont. 

What inspires you to write? 

I love books and TV shows with cliff-hangers (like James Paterson books or the TV show Prison Break). So I like to write that sort of breathless what’s-going-to-happen-next type of books. And then once I feel like I know my characters, I love losing myself in their world. 

What is something you hope your readers will take away from your book? 

This early reviewer on Goodreads summed it up perfectly: "The story starts with heartache but slowly, it makes it's way through healing, resilience, friendship, love and most importantly, closure."

What are your marketing plans for the book and where can we find it?

I made a book trailer, used Book Sweeps to build my Amazon followers and e-mail list, and plan to try a Book Bub ad. Thirty Seconds at a Time can be found at most online retailers (AmazonBarnes and NobleBookshopBooks-A-Million) in hardcover, paperback, and ebook.

What's next for you? 

I'm currently working on a romantic thriller for teens set in Paris.

More about the book . . . 

Kate’s dad was a cop. And now he’s dead. Killed in a random shooting in the quiet suburb of Maplewood, where random shootings never happen.
 
Before he died, he gave Kate a piece of paper and left very explicit instructions: Don’t read it. Don’t show anyone. Burn it.
 
But when Kate discovers a quarter of a million dollars her dad hid inside her guitar case, she discovers his secret. Her dad wasn’t just a cop. He was also a thief.
 
The last thing Kate ever promised her dad was that she wouldn’t tell. Not her mom. Not the cops. No one. So when her mom takes a job at a ski academy in Vermont, Kate hides the money and tries to forget.
 
Kate is more than out of her league at this mecca for competitive skiing—she doesn’t even know how to ski. That is until Ryan, the school’s shining star, takes her onto the ski slopes and skis off with her heart.
 
Just as things are heating up on the slopes, the past hits Kate like an avalanche. Random accidents are becoming commonplace and the people she cares about are being hurt. When a mysterious package arrives with a reminder to stay quiet, Kate and Ryan are forced to search for answers with the only clue Kate has left: everything she promised her dad she would forget.

Publisher: BHC Press 

More about the author . . . 

Tracy Bilen writes romantic thrillers for young adults. She is the author of What She Left Behind (Simon Pulse/Simon & Schuster) which VOYA called “truly a remarkable story of resilience.” Her second novel, Whisper (Mirette), was named a Notable 100 Book in the 2021 Shelf Unbound Best Indie Book Competition. Tracy’s new release, Thirty Seconds at a Time (BHC Press) hits shelves on October 8.
 
Tracy is a high school French teacher in Michigan where she lives with her husband, children, and mini Bernedoodle. She studied at the Sorbonne in Paris and loves biking, traveling, and red velvet cake.

Website: https://tracybilen.com/

X: https://x.com/i/flow/login?redirect_after_login=%2FTracyBilen

Instagram: https://www.instagram.com/tracybilen/ 

TikTok: https://www.tiktok.com/@ya.author.tracy.b?_t=8pP6NAbaQX9&_r=1

Facebook: https://www.facebook.com/tracybilenbooks/ 

 


 


Saturday, May 8, 2021

Book Birthday Blog with Tracy Bilen

 

 Welcome to SCBWI-MI's Book Birthday Blog!

Where we celebrate new books from Michigan's authors and illustrators.

 

Congratulations to Tracy Bilen on the release of Whisper! 


 
Congratulations on the release of Whisper! What inspired this YA mystery thriller?
Thanks, Lauren! When I was a kid, I used to notice this high-pitched whining noise that the T.V. would make when the volume was turned down. It always drove me crazy, but it never seemed to bother anyone else. I got to thinking, what if that sound wasn’t mechanical, what if that was the sound of a thousand people talking at once…make that a thousand dead people…and they were all trying to talk to the one person that could hear them?
 
Both your most recent release and your previous book, What She Left Behind, have a strong sense of suspense and mystery. They also explore themes of grief and trauma. What is it that draws you to writing about these topics?
I have always loved FBI stories, which explains why I made Jacob’s mom an FBI agent. And I devour books that make you desperately need to figure out how all of the pieces fit together. As for the grief aspect, I lost both my biological father and stepfather unexpectedly when I was relatively young, so I find it easy to tap into those feelings and unresolved issues in my writing.
 
How has marketing and promotion gone for Whisper? Do you have any advice for newly published authors looking to promote?
I had a blast making the book trailer for Whisper with the software on Biteable. I also did a Goodreads giveaway, which helps build your book’s presence on “to-read” shelves and often leads to reviews. I used Xpresso Book Tours to organize a book blast (where bloggers sign up to feature your book on their site on a specific day or week). And I ordered bookmarks just because they’re fun (you can get one, while supplies last, by sending me your address through the contact form on my website or via my Goodreads mail).
 
When it comes to planning out your books, are you more of a pantser or a plotter?
A pantser all the way! Usually the first 50 pages come to me all in a rush and I also know what the last scene will be. Next, I write scenes that I know I want to include. I give them fun titles using the “Heading” designation in Word. That way I can drag them around to where they fit best using the navigation pane that shows up on the left of the screen when you hit “Find”.
 
Who are some authors that you look up to?
  • Julia Walton for Words on Bathroom Walls
  • Kathleen Glasgow for the beautiful prose in Girl in Pieces
  • Harlan Coben for his character Myron Bolitar, basketball (almost) star turned sports agent / detective
  • Susan Vaught for Trigger, about a boy with a devasting injury and no memory of how it happened
  • Karin Slaughter because I adore Will Trent, who is deeply flawed but loves unconditionally
  • Kelley Armstrong for her books about a place where victims and criminals hide from the world in the Canadian wilderness
  • James Patterson for his short chapters and awesome plotting.
  • Jennifer Niven because of the voice in All the Bright Places
  • And of course, Shutta Crum, my former SCBWI Michigan novel mentor, for all that she taught me!
 
What’s next for you? Any fun ideas or projects in the works?
I’m working on a YA romantic thriller about the daughter of an American actress and the son of the president of France.
 
A little bit about the book:
Stop him.
After her friend Samantha is murdered, seventeen-year-old Olivia is the only one who still hears her voice.
Years ago, Jacob closed his eyes. In a park. Playing hide-and-seek. His little brother is still missing. And Jacob’s mom is the FBI agent who couldn’t find him.
Now Jacob has dreams he can’t explain. And draws faces of those about to die.
In a town terrorized by a serial killer, Jacob meets Olivia. Sparks ignite.
Until the voice in Olivia’s head echoes the warning in Jacob’s dream…
You’re next.
 
 

 
A little bit about the author: 
Tracy Bilen is the author of What She Left Behind (Simon Pulse) and Whisper (Mirette). She is a high school French teacher in Michigan where she lives with her husband and children. Tracy studied at the Sorbonne in Paris and taught Spanish at a high school ski academy. She loves biking, traveling, and red velvet cake.
 

 

Friday, December 19, 2014

Get Inked! By Kathy Higgs-Coulthard

Imagine a room full of writers—heads bowed, pens gliding across paper. These writers understand the importance of networking and learning from other writers. They have given up an entire Saturday to work on their craft. They are writing poetry, memoir, fiction. Some are beginning novels, others revising them. These writers are committed and skilled. These writers are teenagers.


In South Bend, Indiana (just a hop, skip, and a jump across the Stateline) teen writers assemble each November for the Get Inked! Teen Writing Conference at Saint Mary’s College. An all-day event, Get Inked! exposes young authors to the real work of writing. By attending craft lectures and workshops which are modeled after the high caliber writing conferences available to adult writers, area teens learn that writing is hard work but fun.

This year’s conference featured Michigan author Tracy Bilen. Tracy’s young adult novels mix romance and suspense, elements which appeal to teen audiences and make her an authentic role model. Tracy’s keynote address urged teens to have the courage to keep writing. Following the keynote, local writing teacher and National Writing Project site-coordinator Mary Nicolini issued a challenge that required just such courage: A writer’s marathon.

In a writer’s marathon, prompts are solicited from attendees and collected in a box. The prompts are then drawn at random and the writers free-write on each successive topic for increasingly longer periods of time. Between sprints volunteers share their creations.


The highpoint of the conference is always the breakout sessions, which allow attendees to work in small groups under the tutelage of the visiting author. Tracy’s sessions focused on bringing scenes to life. She guided the teens through this process with an activity on building characterization through the layering of description, dialogue, and action.

You would think that a group of kids would be exhausted after writing from 8 am to 4 pm. Yet, when the last session ended, no one wanted to leave. The teens stuck around to chat with Tracy informally in the lobby.

Tracy brought a lot to this year’s Get Inked! Teen Writing Conference-- signed copies of her book (Y/A thriller, What She Left Behind), autographed bookmarks, and handouts for her talk on bringing scenes to life. The teens appreciated Tracy’s wisdom regarding the publishing process and her helpful tips on establishing a writing routine.

Tracy came armed with everything she needed to make the day a success, but ultimately it was what she left behind that made the biggest impact on the writers who attended. Tracy treated these teens like peers. She saw them the same way they see themselves—as real writers working on real projects. Because Tracy took their work seriously, they know it matters. And hopefully in the not-so-distant future, you’ll find their books on the shelves alongside authors like Tracy.


Kathy Higgs-Coulthard is a writer, a faculty member in the Education Department at Saint Mary's College, and Director of the Michiana Writers' Center. The Teen Writing Conference allows her to combine her passion for teaching with her love of writing. Her work appears in Chicken Soup for the Soul: Reboot Your Life, Cleaver Magazine, and Jack and Jill Magazine






BONUS: Tracy Bilen is one of the participating authors in a huge holiday cheer giveaway through Spencer Hill Press. Find out more at her website.

A huge thanks to Kathy for contributing our final guest post in 2014! Enjoy the holidays, and we'll return in the new year. Nina Goebel is preparing to introduce our new Featured Illustrator, and Patti Richards is gathering good news to share in our New Year's edition of Hugs and Hurrahs.

Cheers!
Kristin Lenz