Showing posts with label self-publishing. Show all posts
Showing posts with label self-publishing. Show all posts

Thursday, October 8, 2020

Indie Trailblazers by David Stricklen

 

Artwork by Melissa Bailey


You may have noticed our beautiful new Indie Trailblazers Icon on the SCBWI-MI website.

Indie stands for independent publishing. Authors have chosen independent publishing for a variety of reasons. Full creative control, frustration with the query process, and a quick turnaround to name a few.

As your Michigan indie coordinator, I thought that we could do a bit more for the indies who are trying to find their way. The trouble with working on an independently published project is that there is more than one way. The traditional path is well worn but the indie path is like cutting your way through the literary wilderness. That is why we call our indie authors, trailblazers.

There is an obvious need to point inquiring authors in the right direction. A helpful suggestion by someone who has already been down that path (and learned from trial and error) can save time and costly mistakes.

Indie publishing would include hybrid publishing (combines aspects of traditional and self-publishing – you hire your dream team), vanity publishing (publishers do it all for you for a price), self-publishing (the author does it all) and digital. All of these various publishing methods would fall under the indie umbrella. 

In an effort to provide the most current and accurate information for our members we have acquired three award winning or Kirkus review recommended indie authors to be our advisors: 

Melissa Bailey - Picture Book 











David Stricklen - Middle Grade













Melanie Hooyenga – Young Adult













Depending on the indie path that you are considering, you may contact one of our three advisors above that best fits your intended direction. Please keep in mind that they are not intended to take the place of a critique group. They are here to make helpful suggestions regarding the path you wish to take depending on your particular goals.

When choosing one of our indie advisors to answer your questions, you should not only look at their genre but also their process. 

  • Do you plan to completely self-publish? 
  • Are you going to enlist a dream team to complete the different aspects of publishing? 
  • Pay a vanity publishing company? 
  • Are you going to do your own artwork? 
Has one of our advisors already blazed that trail and done it successfully? It is my hope that you find this opportunity helpful as you take the first step in blazing a trail of your own.

You will find information about each of our indie advisors, as well as their published work and their step by step publishing process by simply clicking on the link below to the SCBWI-MI website:

https://michigan.scbwi.org/files/2020/08/Indie-for-info-Web-Page.pdf


Coming up on the SCBWI-MI Blog:

A new post from our Equity and Inclusion Team, a special book drive, Pinterest tips, Webtoons, a Writer Spotlight, Book Birthdays, and more! The Mitten blog is always looking for guest posts from SCBWI-MI members. Find our Submission Guidelines here.

Did you notice we have a new blog banner? Thanks to our new Featured Illustrator, Wendy Berry! Read her interview here.


SCBWI-MI Happenings:

Virtual Shop Talks and Workshops will continue in the months ahead. Information is posted on the calendar at the SCBWI-MI website. Follow our chapter on social media and subscribe to the MichKids listserv for reminders, updated information, and ongoing conversation. Everything you need to stay connected is here: https://michigan.scbwi.org/online/.


Save the date! 

April 23-25, 2021, more details to come.





Tuesday, April 21, 2020

SCBWI-MI Calling for Indie Mentors!


Here's a special request from SCBWI-MI Indie Coordinator, David Stricklen:

As the Michigan Indie Coordinator, I am seeking to identify our indie high achievers and ask them to consider a role as an indie mentor.

This is an important first step in an effort to provide the most current and accurate information to our members and help them choose the right indie path to publishing for them.

Indie publishing would include hybrid publishing (combines aspects of traditional and self-publishing), vanity publishing (publishers do it all for a price), self-publishing (the author does it all), and digital. All of these various publishing methods would fall under the indie umbrella.

Mentor information will be added to the SCBWI Michigan website with a link to a special page called Independently Publishing Resources. On this page, visitors will find the indie mentor's bio, links to their work, contact information and their particular publishing path. Depending on the indie path members may be considering, they will now have identified the best resources for information.

Are you an indie high achiever? Would you agree to be a resource for members on the SCBWI-MI website? At a minimum, you should be able to answer yes to the questions below.

 ● I have independently published at least three picture books or two novels.
 ● I have sold a minimum total of 2,500 books.
 ● I have presented at a variety of schools and/or conferences.
 ● I have presented my work at a variety of book fairs.

If you would like to be one of our SCBWI-MI indie mentor resources, please email indie coordinator David Stricklen.

David Stricklen is the SCBWI-MI Indie Coordinator, Grand Rapids Shop Talk Coordinator, and the overall MI Shop Talk Administrator. Learn more about his middle-grade novels at www.blackwaterpond.com.















Coming up on the Mitten Blog:


Wendy BooydeGraaff will be here this Friday with Standard Manuscript Formatting in the KidLit World - just in time to submit your manuscripts for the SCBWI-MI Nonfiction Mentorship Competition. The submission window opens on May 5th.




Friday, July 14, 2017

You Can Take a Detour, Choose Your Road to Publishing by Karen Bell-Brege

It finally arrives, sitting in your inbox, or a letter in your hand. You hesitate – for a second, you then madly click or tear into it. Your heart sinks, and now your day, your week, your life, is totally ruined! You’ve been down this road before, as you grab the nearest counter with your hand on your head, you can barely stand up…the agony, the defeat. You wonder how much longer you can take the rejection as you proceed to shamefully degrade yourself. Telling yourself you were an idiot to think you could write, let alone get published. Okay, maybe not so dramatic, but you know that awful, sinking, pit of your stomach, feeling of rejection.

When you do come to grips, the only thing you can think about is how many times you’ve been rejected, enough to wallpaper the entire bathroom? Nah, more like your living room. How many times has your family seen the tears or heard the whining? Only to witness your mood instantly change  - this is where you think about how you don’t care, you WILL find a publisher. You wonder who the people are that have the say on whether you make it past the slush pile. 20-year-old interns, that have been up all night and binge read on their phones? It’s then you notice that your family is no longer home. Some have snuck out the back door, and the ones still there, have their headphones on, including the dog. If you’ve hit this stage kudos to you, because this is where you’ve turned a corner - a glimmer of hope is emerging and you realize you can keep going.

It does seem like everyone wants to write a book – it’s rare you meet someone that doesn’t. But you did it –this proves you have it in you to be successful. You sat down, opened a vein, put your creative, soul baring self on the page. If you have the gumption and wherewithal to do that – then you can get published. If you’ve had the perseverance to put your butt in the chair, day after day, or night after night, with a job, a family, pets, bills, in this digital age, along with the other daily accouterments, then you can’t give up. You are a writer, because after all, you made it to a place that few have the verve and nerve to go.

But maybe you’ve had it, it’s been a few years, and you know you will have to wait even longer if you do get an offer. You want to hold your book in your hands, now. Here is where you ask yourself, “Self, is it time to start thinking about other options?” If your self is in agreement, you could think about self-publishing, or vanity publishing, (vastly different), or an e-book. Although, these are not decisions to take lightly. Many people, some stores, reviewers, associations, and the gatekeepers of traditional publishing still look down their noses at self-publishing. However, it is changing, and it can be a viable route, history has proven that.

We all know that Indy publishing is growing in leaps and bounds in the world of music and movies, and slowly gaining traction in the book world. But keep your eyes open, going in. It too is a beast, requiring time, money and guts – mostly guts.

Although, traditional publishing now requires you to market, promote and develop a platform for your book. If you also do this with your self-published books (which you must), who knows, it could also be the road to getting traditionally published. If it’s a route you’re considering, do your homework, research it thoroughly and decide if its right for you.

Here are some stories of literary greats that started out like you, wanting to share their love of children’s books. They took the self-publishing road less travelled, journey into the unknown, which led them full circle.

Surprisingly, self-publishing has been around longer than we realize. In 1901 Beatrix Potter felt the need to share her story of the adorable rabbit that was hopping around in her head, THE TALES OF PETER RABBIT. After being rejected numerous times, she went on to self-publish 250 copies of her book. A year later a publishing house that rejected her picked up her book. The firm went on to publish 22 more of her books, which continue to sell to this day.

If the name Christopher Paolini doesn’t sound familiar, the title ERAGON, might. There are a few different stories about how Paolini self-published. Some say his parents owned a printing company and printed it, then paid for him to travel the states promoting it. Others say he used a print-on-demand company. Either way he started out self-publishing. On his journey he became friends with Carl Hiassen, and was then picked up by Alfred A. Knopf and went on to sell millions of books.

Amanda Hocking went the e-book self-publishing route and sold over a million copies of her young adult books. She eventually signed a $2 million contract with St. Martins press for her TRYLLE trilogy that is optioned for a film, and for her new four book series, WATERSONG.

There are countless other famous authors that took this route. So, don’t give up! Hold your head up high. Either road you take, you can be a published author.

Disclaimer: Self-publishing – where you physically have the books printed at a printer and do everything yourself from writing to marketing to storing, is not for the weak, lazy, faint-hearted, tired, unimaginative, uncreative, greedy, money-hungry…but then again, if you were any of those things, you wouldn’t be a writer, right?


Karen Bell-Brege and Darrin Brege
Karen Bell- Brege is an author and has self-published 9 chapter books (the MICK MORRIS MYTH SOLVER and GHOST BOARD POSSE series), a picture book (MONSTER'S FIRST DAY AT SCHOOL) and a sketchbook (SKETCH THE MYTHS). She is also an improv performer, speaker and trainer. She is a former radio host, communications specialist for Chrysler and copywriter, toured with Working Woman Magazine, and has done countless voice-overs. Darrin Brege is the illustrator for the books, and is also a VP Creative Director for Helloworld. He was the original cover artist for the MICHIGAN and AMERICAN CHILLERS series, and was a voice impressionist for ESPN radio. They met when Darrin auditioned for Karen’s improv troupe and have been laughing and creating together ever since. They say their best creation is their son, Mick, and when you meet them, they will most certainly make you laugh. Learn more at www.karenanddarrin.com.




*BONUS* Karen and Darrin have so much experience to share. There are no shortcuts on the road to publishing, but here's a resource list they created to help you begin your own research.

Resources:

Michigan book printers – a bonus because it’s always nice to say that your book is, Made in Michigan.

McNaughton Gunn
60 Woodland Drive E,
Saline, MI 48176
Renee Lane – A wonderful person to work with.
(734) 429-5411

Color House Graphics
3505 Eastern Ave SE
Grand Rapids, MI 49508
Gary Nyenhuis
(616) 916-7370

Thomson-Shore Inc.
7300 W. Joy Road
Dexter, MI 48130
Ann Arbor, Michigan
(734) 426-3939

ISBN
www.isbn.org To purchase your ISBN

Make sure you copyright your work.

Cover Art
Graphic designers and artists can be expensive, but you want your book to look professional. Talk to other authors to see who they use, or contact a local college art department. There are many aspiring art students that do fantastic work, and would love to get a freelance job (see your artist’s portfolio before you decide). Also, have a contract and make sure you own the rights to the work you buy.

Editors
Be sure to have your book edited professionally. There are many online resources, however it’s best to use a local editor, and get references.

Formatting & Typesetting
You can do this yourself, once you decide the size of your book and page count. You can also hire a freelancer, or your printer may provide this service, or recommend someone.

Ebooks 
Largest publisher and distributor of ebooks.

Ebook formatting service.

Print-On-Demand/Vanity Presses/Self-Publishing Service – BEWARE!
Another route to go but not really self-publishing – you do not own your ISBN – they do. Research this before you invest in it.

Traditional Publishers & Agents
Attend conferences. Meet agents. Buy the book, Writer’s Market 2017, (current year), which lists agents, publishing houses, what they’re looking for, and how to submit.

Gumption and Perseverance
You’ve got it, just look inside yourself.

Friday, April 1, 2016

Featured Illustrator Lori Taylor





MEET LORI TAYLOR



This questionnaire goes back to a popular parlor game in the early 1900s. Marcel Proust filled it out twice. Some of our questions were altered from the original to gain more insight into the hearts and minds of our illustrators. We hope you enjoy this way of getting to know everybody.






1. Your present state of mind?
   
Alert, busy yet pleased. Too much coffee?

2. What do you do best? 

Laugh. Be a clown, sometimes unintentionally.

3. Where would you like to live?
 
In the north woods, in Baba Yaga’s house—the one on chicken legs with skulls in the yard. Hey wait, that’s a lot like where I live now. Our hen coop is on stilts and we are surrounded by pines, owls, and skulls.

4. Your favorite color?
 
Chartreuse and sometimes Indigo. Favorite colors vary year to year. Still in Indigo mode. Or no, chartreuse. Don’t ask me to paint your house.

5. Three of your own illustrations















































































6. Your music?
 
Ecclectic mix of Carlos Nakai flute music, Tori Amos, Lady Gaga, 90s alternative rock.

7. Your biggest achievement?
 
Being selected artist-in-residence for Sleeping Bear Dunes National Lakeshore. Three weeks exploring and doing art in the national park being treated like a queen. OK, thinking I was a queen.

8. Your biggest mistake?
 
Not backing up my files. I accidentally had a desktop folder get deleted that contained 20+ years of art and photo files, research, and the book dummy. Back up, people. Do it NOW!

9. Your favorite children's book when you were a child?
 
The Whispering Rabbit and Other Stories, by Margaret Wise Brown. I still have it.

10. Your main character trait?
 
I’m a playful, but fierce. I like to think I am mighty and can do anything.

11. What do you appreciate most in a friend?
 
Honesty! Being real and funny. Real funny.

12. What mistakes are you most willing to forgive?
 
Most things. Just don’t mess with my kids and grandkids.

13. Your favorite children's book hero?
 
Pippi Longstocking. And Paddington.

14. What moves you forward?
 
The excitement of creating a story or illustration.

15. What holds you back?
 
People grabbing my arms and saying, “Wait! Hold on there, Missy.” Which is good when I’m near cliff edges. But maybe fear of not getting something just right.

16. Your dream of happiness?
 
Drawing and writing, living in the woods, play with grandkids, have lots of books, travel around in a camper, and have someone call and say, “Hey, we need you to create this (fill in the blank).” I guess I have all that now.

17. The painter/illustrator you admire most?
 
Emily Carr, for her powerful, colorful, stylized, emotional nature pieces. She lived in the north woods, traveled in a camper, painting and writing with her animals—Hey, I think I have become Emily Carr, except I don’t have a monkey—but we do have two rescued beagles who act like monkeys.

18. What super power would you like to have?
 
The ability to run fast and jump high. I can do neither.

19. Your motto?
 
Dance with Life. I CAN dance.

20. Your social media?
 
 

Friday, October 10, 2014

Ask Frida Pennabook: Wavering in Wyandotte

Sometimes it's helpful to tap into the expertise of a fellow writer or artist. Got a question? Need advice? Just ask Frida.

Dear Readers: I recently received two questions that are closely tied together as far as my advice is concerned. As a result, I decided to write a two-part column about self-publishing and its perils. Part One comes from “Wavering in Wyandotte.” Be sure to check back tomorrow for Part Two from “Scared in Sault St. Marie.”




Dear Frida,

My friends say I should stop wasting any more time looking for an agent and just self-publish. They insist it’s the way to go and say that I am just being stubborn by not riding the wave. What do you think?

Wavering in Wyandotte







Dear Wavering,

Self-publishing does seem to be the pet rock of the twenty-tens, doesn’t it? So many writers are turning to self-publishing these days, and the headlines are full of success stories highlighting the writers who have turned their manuscript into a huge cash cow in a few short months.

As intriguing as this sounds, these headline grabbers are few and far between, representing the exception rather than the rule. But the hype does serve to draw attention to the potential benefits of self-publishing. So how do you decide whether this is a legitimate choice for you?

Let’s start by going through this list of questions together:
·      Have you received more than a few rejections? Like, say, 25 or 37 or 108?
·      Did you spend a significant amount of time researching agents or agencies?
·      Do you know the difference between querying and submitting, and when to do which?
·      Did you research agents thoroughly?
·      Did you use the Children’s Writers and Illustrators Market (CWIM)?
·      Did you use The Book from SCBWI (which is available as part of your SCBWI membership)?
·      Did you choose the right agent(s) for your reading level, style, topic, etc.?
·      Have you researched websites like www.querytracker.com?
·      Do you read agent blogs regularly so that you understand the different needs/wants of individual agents and agencies?
·      Did you receive “champagne” rejections, rather than generic form rejections? In other words, did the agent make specific suggestions about ways to improve your manuscript, rather than a simple “I’m sorry but this does not fit our needs at this time”?
·      Did the agent ask to see revisions?
·      Did you spend time seriously considering those suggestions and then working on and sending revisions? 

Are You Truly Ready for This?
If you answered “no” to a majority of these questions, you may not have exhausted traditional publishing options. In fact, you probably still have some homework to do. Excitement and enthusiasm are necessary in the publishing world, but they are not a substitute for being prepared and presenting your best possible work to the best match for your manuscript.
The above questions also have to do with professionalism and how you are perceived when querying and submitting. If you take the time to do the research for your manuscript, you leave the door open to perhaps contact the agent or agency in the future. If you send in something you wrote in an afternoon, that does not fit the 32-page, 500-word picture book format, and you send it to an agent who only represents edgy YA, then you’ve closed that door not only to the agent, but most likely to the entire agency, where there may have been someone incredibly eager to read your manuscript about a garbage truck that comes to life and swallows children whole. (Oh, wait—that’s my manuscript. Sorry!)

The point is that the road to publication is often long, slow, and fraught with frustration. Don’t assume that being rejected three times, or that waiting several years for acceptance, is out of the ordinary. Be patient. Do your homework. Continue to improve your craft. Success in this business usually goes to the person who doesn’t stop trying.

Yes, Yes! I’m Ready!
Now, let’s back up and assume that you answered “yes” to most of the questions. You have spent several years, you have sweat blood and cried ketchup in your quest for traditional publication, and you feel that your manuscript is the best thing you will ever do in your entire life. It’s just that it’s hard to find an audience for a book about a young boy and his collection of cotton balls that resemble Einstein. But you know where to find that audience, and by gum, you’re the one to bring them this story! 

If that describes you, then I suggest you read my next column, when I help Scared in Sault St. Marie avoid pernicious predatory publishers. 

Until tomorrow,
Frida


Come back tomorrow for more from Frida and a FREE BOOK!  We'll be giving away one copy of The Complete Idiot's Guide to Publishing Children's Books by Harold D. Underdown.

You haven't heard of Harold? You have been missing out on an excellent resource - his Purple Crayon blog.
Go to: http://www.underdown.org/

Also, be sure to check out the winners of SCBWI"s inaugural Spark Award which recognizes excellence in a children’s book published through a non-traditional publishing route.